Art Resource - AR954290

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Exterior view of Astley's Amphitheatre in London as it appeared in 1777, (1840). Artist: William Capon

AR954288

Poem by Dr Doddridge, 1746, (1840).Artist: Philip Doddridge

AR954210

Part of a letter from Dr William Robertson concerning his History of Scotland, 1757, (1840).Artist: William Robertson

AR954174

Part of a letter from Bishop Warburton, respecting the poems of Milton, 1737, (1840). Artist: William Warburton

AR954172

The tomb of William Hogarth at Chiswick, 1840.

AR954330

Part of Shenstone's poem, The Snuff Box, 1735, (1840).Artist: William Shenstone

AR954188

A letter in rhyme from Cowper, the poet, to the Reverend John Newton, 1771, (1840). Artist: William Cowper

AR954206

Part of the poem of The Wicker Chair, by William Somerville, 1840.Artist: William Somerville

AR969831

Napoleon's signature when he was commandant of artillery in 1793, (1840). Artist: Napoleon Bonaparte I

AR954326

A letter from Sir Richard Steele, and a view of his cottage at Haverstock Hill, 1713, (1840). Artist: Richard Steele

AR954198

Birth place of Reverend James Hervey, Hardingston, near Northampton, 1840.

AR954300

View of Jordaens, the meeting house of the Society of Friends, Buckinghamshire, 1840.Artist: Robert Blemmell Schnebbelie

AR954154

Mill at Bannockburn, in which James III of Scotland was killed in 1488, (1840).Artist: C J Smith

AR954306

Queen Mary's Lament, poem in the handwriting of Robert Burns, late 18th century, (1840). Artist: Robert Burns

AR954178

Extract of a letter from Lord Halifax to Dean Swift, with promises of promotion, 1709, (1840). Artist: Charles Montague

AR954212

Austin's Farm at Sapiston, Suffolk, the early residence of Robert Bloomfield, 1840. Artist: G Harrison

AR954328

A letter and portrait of Francis Grose, 1772, (1840).Artist: Francis Grose

AR954204

Part of a letter from Horace Walpole to the Reverend Mr Cole, 1777, (1840). Artist: Horace Walpole

AR954148

Part of a letter from John Gay to Dean Swift, c1728, (1840).Artist: John Gay

AR954168

Garrick's Cup, carved from Shakespeare's mulberry tree, 18th century, (1840).

AR954304

Interior view of Astley's Amphitheatre in London as it appeared in 1777, (1840).Artist: William Capon

Interior view of Astley's Amphitheatre in London as it appeared in 1777, (1840). Philip Astley was the father of modern circus. Illustration from Historical and Literary Curiosities consisting of Fac-similies of Original Documents, by Charles John Smith, (Henry G Bohn, London, 1840).

Unique Identifier AR954290

Type Image

Purpose Public

Size 5048px × 3478px

Photo Credit HIP / Art Resource, NY

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Astley's Amphitheatre

Black and white

eighteenth century

NINETEENTH CENTURY

Print Collector6

The Print Collector