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Conceptually similar
'The bruising match', 1730.
AR950440 
'Characters and Caricaturas', 1743. Artist: William Hogarth
AR949992 
'George Morland', 1786.Artist: Thomas Rowlandson
AR950432 
'Parasols for 1795'.
AR950156 
'The Kitchen Metamorphosed', 1762.
AR950594 
'Coming in at the Death', 1800.
AR950526 
'The Mistaken Notion', 1789.  Artist: W Dickinson
AR950482 
'Cockney Sportsmen Recharging', 1800.
AR950530 
'A Meeting of Umbrellas' 1782. Artist: J Kent
AR950092 
'The Reviewer's Cave', 1765.Artist: Mortimer
AR950378 
'St James' Park', 1783.Artist: Henry William Bunbury
AR950104 
'The New Gig', 1781.Artist: Colley
AR950464 
'The Bird of Paradise', 1772.
AR950600 
'Pantheon Macaroni', 1782.
AR950060 
'An Apology to the Town', 1749.
AR950552 
'And catch the living manners as they rise', 1794.
AR950158 
'Buckles and Buttons: I am the thing, dem-me', 1777.
AR950082 
'The Macaroni Print Shop', 1772.
AR950400 
'Modern Elegance: A Portrait', 1796.
AR950124 
'Masquerades and operas', 1724.Artist: William Hogarth
AR950172 
'The Royal Academy', 1786. 
'The Royal Academy', 1786. Illustration from Social Caricature in the Eighteenth Century ... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905). 
Unique Identifier AR950504 
Type Image 
Purpose Public 
Size 5188px × 3366px 
Photo Credit HIP / Art Resource, NY 
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Tags
18th century
ART
artist
ARTS
B&W
B/W
Black & White
Black and white
Boxer
Britain
British
Caricature
eighteenth century
Emily Morse
Emily Morse Symonds
fight
FIGHTING
GEORGE
George Paston
Male
Man
Men
Monochrome
Paston
People
Print Collector6
pugilism
ROYAL ACADEMY
Royal Academy of Arts
Satire
SPORT
Symonds
The Print Collector