Art Resource - AR950378

Close

0

Selected

Invert selection

Click here to refresh results

Click here to refresh results

Go to Login page

Conceptually similar

'Richmond Hill', 1782.Artist: W Dickinson

AR950474

'The bruising match', 1730.

AR950440

'The Mistaken Notion', 1789. Artist: W Dickinson

AR950482

'A Meeting of Umbrellas' 1782. Artist: J Kent

AR950092

'The Royal Academy', 1786.

AR950504

'The Kitchen Metamorphosed', 1762.

AR950594

'The Review', 18th century. Artist: John June

AR950000

'Characters and Caricaturas', 1743. Artist: William Hogarth

AR949992

'The New Gig', 1781.Artist: Colley

AR950464

'Parasols for 1795'.

AR950156

'The Isis Macaroni', 1772. Artist: John Collet

AR950460

'The Bird of Paradise', 1772.

AR950600

'Folly Triumphant', 1749.Artist: LP Boitard

AR950028

'Masquerades and operas', 1724.Artist: William Hogarth

AR950172

'An Apology to the Town', 1749.

AR950552

'The Macaroni Print Shop', 1772.

AR950400

'St James' Park', 1783.Artist: Henry William Bunbury

AR950104

'Modern Elegance: A Portrait', 1796.

AR950124

'The Marriage of Cupid and Psyche', 1797.

AR950332

'Fore-warned, Fore-armed', 1741. Artist: E Gravelot

AR950670

'The Reviewer's Cave', 1765.Artist: Mortimer

'The Reviewer's Cave', 1765. Illustration from Social Caricature in the Eighteenth Century ... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905).

Unique Identifier AR950378

Type Image

Purpose Public

Size 3890px × 4495px

Photo Credit HIP / Art Resource, NY

Add to lightbox

Black and white

eighteenth century

Emily Morse Symonds

geographical feature

Print Collector6

The Print Collector