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Conceptually similar
'A Goldfinch and his Mistress', 1796.Artist: Isaac Cruikshank
AR950765 
'Parasols for 1795'.
AR950156 
'Waggoners Frocks or No Bodys of 1795', 1795.
AR950132 
'Going to the races', late 18th century.Artist: Thomas Rowlandson
AR950516 
'The Mistaken Notion', 1789.  Artist: W Dickinson
AR950482 
'The bruising match', 1730.
AR950440 
'A Meeting of Umbrellas' 1782. Artist: J Kent
AR950092 
'A Lady putting on her cap', June 1795.
AR950142 
'The Reviewer's Cave', 1765.Artist: Mortimer
AR950378 
'The Royal Academy', 1786.
AR950504 
'The Kitchen Metamorphosed', 1762.
AR950594 
'Characters and Caricaturas', 1743. Artist: William Hogarth
AR949992 
'The New Gig', 1781.Artist: Colley
AR950464 
'St James' Park', 1783.Artist: Henry William Bunbury
AR950104 
'An Apology to the Town', 1749.
AR950552 
'Modern Elegance: A Portrait', 1796.
AR950124 
'How to escape winning', 1791. Artist: Thomas Rowlandson
AR950518 
'The High Mettled Racer', 1789.Artist: Thomas Rowlandson
AR950506 
'The Bird of Paradise', 1772.
AR950600 
'Characters in High Life...', 1795.
AR950134 
'Washing The Blackamoor', 1795.Artist: Isaac Cruikshank 
'Washing The Blackamoor', 1795. You may as well attempt to remove the Island of Jersey to the Hightest Mountain in Wales. Illustration from Social Caricature in the Eighteenth Century ... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905). 
Unique Identifier AR950658 
Type Image 
Purpose Public 
Size 5093px × 3434px 
Photo Credit HIP / Art Resource, NY 
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Tags
18th century
B&W
B/W
black
Black & White
Black and white
blackamoor
Britain
British
concept
CRUIKSHANK
eighteenth century
Emily Morse
Emily Morse Symonds
Female
GEORGE
George Paston
Health
Hygiene
Isaac
Isaac Cruikshank
LADY
Male
Man
Men
Monochrome
Paston
People
Print Collector6
RACE
Racism
racist
Skin
Symonds
The Print Collector
WASHING
Water
Woman
Women