Art Resource - AR950594

Close

0

Selected

Invert selection

Click here to refresh results

Click here to refresh results

Go to Login page

Conceptually similar

'English Credulity, or The Invisible Ghost', 1762.

AR950564

'The bruising match', 1730.

AR950440

'Pantheon Macaroni', 1782.

AR950060

'The Royal Academy', 1786.

AR950504

'The Mistaken Notion', 1789. Artist: W Dickinson

AR950482

'A Meeting of Umbrellas' 1782. Artist: J Kent

AR950092

'The Reviewer's Cave', 1765.Artist: Mortimer

AR950378

'The Bird of Paradise', 1772.

AR950600

'Parasols for 1795'.

AR950156

'The New Gig', 1781.Artist: Colley

AR950464

'Modern Elegance: A Portrait', 1796.

AR950124

'Characters and Caricaturas', 1743. Artist: William Hogarth

AR949992

'An Apology to the Town', 1749.

AR950552

'The Macaroni Print Shop', 1772.

AR950400

'Masquerades and operas', 1724.Artist: William Hogarth

AR950172

'St James' Park', 1783.Artist: Henry William Bunbury

AR950104

'The Marriage of Cupid and Psyche', 1797.

AR950332

'The Buck Metamorphosed...', 1754.Artist: G Smith

AR950218

'Fore-warned, Fore-armed', 1741. Artist: E Gravelot

AR950670

'Waggoners Frocks or No Bodys of 1795', 1795.

AR950132

'The Kitchen Metamorphosed', 1762.

'The Kitchen Metamorphosed', 1762. Illustration from Social Caricature in the Eighteenth Century ... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905).

Unique Identifier AR950594

Type Image

Purpose Public

Size 5626px × 3105px

Photo Credit HIP / Art Resource, NY

Add to lightbox

Black and white

eighteenth century

Emily Morse Symonds

Print Collector6

The Print Collector