Close
Logo
Cart (0)
Login
Register
0
Selected 
Invert selection
Deselect all
Deselect all
 Click here to refresh results
 Click here to refresh results
Go to Login page
 Hide details
play button
Conceptually similar
'Neutrality Under Difficulties', 1876. Artist: Joseph Swain
AR928299 
'The Sphinx is silent', 1876. Artist: Joseph Swain
AR928293 
'On the Dizzy Brink', 1878. Artist: Joseph Swain
AR928439 
'Left Luggage', 1876. Artist: Joseph Swain
AR928303 
'The Conservative Programme', 1872. Artist: Joseph Swain
AR927998 
Mos? in Egitto !!!, 1875. Artist: Joseph Swain
AR928277 
'Empress and Earl', 1876. Artist: Joseph Swain
AR928315 
'Great Autumn Manoeuvre', 1873. Artist: Joseph Swain
AR928090 
Good-Bye !, 1875.  Artist: Joseph Swain
AR928217 
'The Status Quo', 1876.  Artist: Joseph Swain
AR928321 
'Endymion', 1880. Artist: Joseph Swain
AR928644 
'The Grand Young Man!!', 1886. Artist: Joseph Swain
AR929136 
'Benjamin Bombastes', 1877. Artist: Joseph Swain
AR928409 
'Two Persuasions', 1878. Artist: Joseph Swain
AR928475 
'Paradise and the Peri', 1874.  Artist: Joseph Swain
AR928146 
'The New Junction, 1888. Artist: Joseph Swain
AR929292 
'A Block on the Line', 1867. Artist: John Tenniel
AR927661 
Peace with Honour, 1881. Artist: Joseph Swain
AR928674 
Out of the Bag!, 1871. Artist: Joseph Swain
AR927964 
Woman's Wrongs, 1874.  Artist: Joseph Swain
AR928172 
'The Drowsy Pointsman', 1876. Artist: Joseph Swain 
'The Drowsy Pointsman', 1876. John Bull, the representative of the British people, prods a dozing Disraeli, now the Earl of Beaconsfield. This cartoon highlights two very topical stories. First, Disraeli is shown as the signalman on the railways. Collisions were all too common in the 1870s and Punch often featured cartoons about the perils of railway travel to emphasise its dissatisfaction with the lack of real investment in new technology. Secondly, this cartoon relates to the conflict between Turkey and Bulgaria, during the course of which Disraeli had maintained a neutral stance, much to the dissatisfaction of the British press. The frightful collision relates to the massacres of women and children carried out by Turkish forces (though atrocities had been perpetrated by both sides). The bigger smash probably relates to British concerns that the government's neutral stance would allow the Russians to become involved in the conflict. From Punch, or the London Charivari, 
Unique Identifier AR928339 
Type Image 
Purpose Public 
Size 3685px × 5114px 
Photo Credit HIP / Art Resource, NY 
 Add to lightbox
 Add to cart
Tags
19th century
allegorical figure
Aristocracy
asleep
B&W
B/W
Beaconsfield
BENJAMIN
BENJAMIN DISRAELI
Black & White
Black and white
Britain
British
Bulgaria
Cartoon
clothes
concept
country
Disraeli
Dizzy
DOZING
Dress
Earl
Earl of Beaconsfield
Engraving
Hat
Heritage Image Partnership
JOB
John Bull
John Tenniel;Tenniel
John;Sir John Tenniel
JOSEPH
Joseph Swain
Lever
LOCATION
LORD
Lord Beaconsfield
Male
Man
Men
Monochrome
neutrality
NINETEENTH CENTURY
OCCUPATION
People
Politician
Politics
Print Collector1
PROFESSION
RAILWAY SIGNAL
Satire
Signalman
Sleeping
STATION
SWAIN
Train
Train Station
transport
TRANSPORTATION
Turkey
Turkish
Viscount Hughendon of Hughendon