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Conceptually similar
Giuseppe Garibaldi trying to persuade Pope Pius IX, 1860. Artist: John Tenniel
AR915283 
'A Red Study', 1875. Artist: Joseph Swain
AR928241 
'The Next Refugee, or a Drheam of the Futur', 1859.
AR926958 
'The Vatican Hatter', 1874. Artist: Joseph Swain
AR928120 
'A Good Offer', 1860.
AR927149 
'Relieving Guard at The Vatican', 1864. Artist: John Tenniel
AR927426 
'Italy in Rome', 1870.  Artist: Joseph Swain
AR927906 
'The Eldest Son of the Church', 1860.
AR927174 
'The Real Italian Brigand Chief', 1861.
AR926980 
'The Beadle and The Dane', 1864.  Artist: John Tenniel
AR927411 
'The Pope's Mad Bull', 1865. Artist: John Tenniel 
'The Pope's Mad Bull', 1865. At the end of 1864, Pope Pius IX had issued an Encyclical Letter that itemised all the practices and beliefs of the modern world previously condemned by his holiness. Given space within this list were such things as liberty of worship, freedom of the press, science, state education, progress, liberalism and modern civilisation. This caused concern amongst Catholics and outrage amongst non-Catholics. Hence Punch's depiction of the Papal 'Bull', winded after running headlong into a brick wall. From Punch, or the London Charivari, January 7, 1865. 
Unique Identifier AR927450 
Type Image 
Purpose Public 
Size 4937px × 3814px 
Photo Credit HIP / Art Resource, NY 
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Tags
19th century
ANIMAL
B&W
B/W
banging one's head against the brick wall
Black & White
Black and white
Brick
Britain
British
BULL
Cartoon
clothes
concept
Crown
Dizzy
Dress
Engraving
Giovanni Maria
Giovanni Maria Mastai Ferretti
Hat
Heritage Image Partnership
INJURED
jester's hat
JOHN
John Tenniel
Key
MAD
Mastai-Ferretti
METAPHOR
Monochrome
NINETEENTH CENTURY
papal crown
PIUS IX
Politics
pope
Pope Pius IX
Print Collector1
Satire
Sir John Tenniel
Tenniel
Wall
Wounded