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Conceptually similar
'Evidence Olfactory', 1879. Artist: Charles Samuel Keene
AR928527 
'Banting in the Yeomanry', 1865. Artist: Charles Samuel Keene
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'Patent First-Class Costume for the Collision Season', 1876. Artist: Charles Samuel Keene
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'Irish Architecture', 1867. Artist: Charles Samuel Keene
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'Labor Ipse Voluptas', 1869. Artist: Charles Samuel Keene
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'The Country in the Future', 1876. Artist: Charles Samuel Keene
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'In Propri? Person?', 1875. Artist: Charles Samuel Keene
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'Synonymous', 1876. Artist: Charles Samuel Keene
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Nae That Fou!, 1870. Artist: Charles Samuel Keene
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'The Doctor's Bill', 1869. Artist: Charles Samuel Keene
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'Regular Irregularity', 1878. Artist: Charles Samuel Keene
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'First Class Travelling', 1864. Artist: Charles Samuel Keene
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'Conclusive', 1866. Artist: Charles Samuel Keene
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'The Question Settled', 1874. Artist: Charles Samuel Keene
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'Chronology', 1869. Artist: Charles Samuel Keene
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'Necessitas Non Habet Bye-Laws!', 1874. Artist: Charles Samuel Keene
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'Tyranny', 1870. Artist: Charles Samuel Keene
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'Arms of Precision', 1878. Artist: Charles Samuel Keene
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'The Police and the Public', 1874. Artist: Charles Samuel Keene
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'A Hitch', 1874. Artist: Charles Samuel Keene
AR928126 
'Paris?', 1867. Artist: Charles Samuel Keene 
'Paris?', 1867. Having stated his lack of need for shells, buns and boats, a man lies on his back in the sun, comfortable on a shingle beach, and prepares to rest. This cartoon alludes to the high level of British visitors to the International Exhibition in Paris. From Punch, or the London Charivari, August 3, 1867. 
Unique Identifier AR927683 
Type Image 
Purpose Public 
Size 4986px × 3784px 
Photo Credit HIP / Art Resource, NY 
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Tags
1867
19th century
B&W
B/W
Beach
Black & White
Black and white
Cartoon
Charles Samuel
Charles Samuel Keene
COMFORTABLE
concept
Engraving
Exhibition
Heritage Image Partnership
INTERNATIONAL EXHIBITION
Keene
lying
Male
Man
Men
Monochrome
NINETEENTH CENTURY
PARIS
People
Print Collector1
Relaxation
RELAXING
Satire
SHINGLE
smoking