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Conceptually similar
'Taking The Doctor's Advice', 1863. Artist: John Tenniel
AR927356 
'The Amnesty', 1863. Artist: John Tenniel
AR927316 
'Easing The Curb', 1869. Artist: John Tenniel
AR927834 
'The Lion of St Mark', 1866. Artist: John Tenniel
AR927623 
'Peace - and No Pieces!', 1866. Artist: John Tenniel
AR927635 
'A New Judgement of Paris', 1862. Artist: John Tenniel
AR927237 
'On The Safe Side', 1867. Artist: John Tenniel
AR927729 
'Licensing Day', 1867. Artist: John Tenniel
AR927717 
'Turkey and Grease', 1869. Artist: John Tenniel
AR927789 
'The Golden Wedding; or, Fifty Years' Jubilee of Peace', 1865. Artist: John Tenniel
AR927487 
'The Water Babies', 1865. Artist: John Tenniel
AR927513 
Louis Napoleon, Prince Imperial, on a pony, c1860-1863.
AR977638 
'Renewing The Lease', 1870. Artist: Joseph Swain
AR927878 
Six of One and Half-a-Dozen of The Other, 1870. Artist: Joseph Swain
AR927894 
'Relieving Guard at The Vatican', 1864. Artist: John Tenniel
AR927426 
'The Green-Backed Monster', 1865. Artist: John Tenniel
AR927509 
'The Wrong of Search, or The Luggage Question', 1867 Artist: John Tenniel
AR927657 
'Between the Acts', 1879. Artist: Joseph Swain
AR928523 
'A Perilous Passage', 1869. Artist: Joseph Swain
AR927852 
'Injured Innocence', 1872. Artist: Joseph Swain
AR928016 
'Tear'em At The Tuileries', 1863. Artist: John Tenniel 
'Tear'em At The Tuileries', 1863. Eug?nie says: Ah, Mon Cher Louis! Pray Don't Cram The Poor Little Fellow Any More;  It is Positively Cruel. This shows Mr John Arthur Roebuck, the MP for Sheffield, wearing a labelled collar. He is sitting up and begging for humbugs from Napoleon, whose wife, Eugenie, is attempting to restrain him from cruelly overfeeding the dog, John Arthur Roebuck. This relates to a speech given by John Arthur Roebuck in the House of his recent interview with Napoleon during which the Emperor had given permission for his views to be made known to the Commons. The most important part of this was that Napoleon continued to hold the view that the Southern States of America should be recognised. John Arthur Roebuck had previously been a fierce opponent of Napoleon and was now much jeered for what was considered his display of gullibility and subservience to Napoleon. The 'Tear'em' in the title comes from John Arthur Roebuck's previously widely known pugnacious attitude to perceived wrongs or criminal behaviour. From Punch, or the London Charivari, July 11, 1863. 
Unique Identifier AR927338 
Type Image 
Purpose Public 
Size 3672px × 5133px 
Photo Credit HIP / Art Resource, NY 
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Tags
19th century
ANIMAL
B&W
B/W
Beard
BEARDED
Beggar
Black & White
Black and white
BODY
Bonaparte
Bowl
Britain
British
Caricature
Cartoon
Charles Louis Napol?on
Charles Louis Napol?on Bonaparte
Charles Louis Napoleon Bonaparte
Collar
concept
CONFECTIONERY
country
Cruelty
Dog
dog collar
dog food
dog's dinner
Dress
emperor
Emperor Napoleon III
Empress
EMPRESS EUGENIE
Engraving
Face
FAMOUS PEOPLE
Feeding
Female
Food
France
French
Garden
Goatee
Heritage Image Partnership
humbug
JOHN
John Tenniel
LADY
LOCATION
Louis Napoleon
Male
Man
MEMBER OF PARLIAMENT
Men
METAPHOR
MINT
Monochrome
Moustache
MP
Napoleon Bonaparte III
Napoleon III
NINETEENTH CENTURY
People
Politician
Politics
Portrait
Print Collector1
royal
Royalty
Satire
Sir John Tenniel
sweetmeat
sweets
Tenniel
TUILERIES GARDENS
Woman
Women