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Conceptually similar
'Goody Gladstone's Gifts', 1864. Artist: John Tenniel
AR927388 
'Reversing the Proverb', 1864. Artist: John Tenniel
AR927393 
'Colonists and Convicts' 1864. Artist: John Tenniel
AR927421 
'Dressing for an Oxford Bal Masqu?', 1864. Artist: John Tenniel
AR927402 
'Fenians In A Fix', 1865. Artist: John Tenniel
AR927527 
'Something for Paddy', 1864. Artist: John Tenniel
AR927430 
'Gladstone Salve - For Tender Consciences', 1863. Artist: John Tenniel
AR927300 
'Turkey and Grease', 1869. Artist: John Tenniel
AR927789 
'Mrs. North and Her Attorney', 1864. Artist: John Tenniel
AR927436 
'English Assassin Painted by France', 1864. Artist: John Tenniel
AR927385 
'The Demon Butcher, or the Real Rinderpest', 1865. Artist: John Tenniel
AR927537 
'The Rival Con jurors', 1869. Artist: John Tenniel
AR927828 
'Medium and Re-Medium', 1864. Artist: John Tenniel 
'Medium and Re-Medium', 1864. Here, Punch has a topical dig at the spiritual industry and the 'idiots of fashion' for providing such a fine harvest for the practitioners. The journal's point is well made by also depicting the Irish 'witch' recently sentenced to a term of imprisonment for utilising her skills to produce apparitions. Mid-Victorians were often in the midst of death and this explains the intense interest in spiritualism. The rise in popularity of spiritual and psychical 'research' can also be explained by the increasing conflict between faith and science. From Punch, or the London Charivari, November 12, 1864. 
Unique Identifier AR927441 
Type Image 
Purpose Public 
Size 4920px × 3827px 
Photo Credit HIP / Art Resource, NY 
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19th century
Accordion
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NINETEENTH CENTURY
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