Art Resource - orz130114

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They play another bull with the cape in an enclosure, plate 4 of 'The Art of Bullfighting' - 1815/16 - 25x35,8 cm - etching, aquatint, drypoint and burin.

orz130113

Origin of the harpoons or banderillas, plate 7 of 'The Art of Bullfighting' - 1815/16 - 24,7x35,7 cm - etching, burnished aquatint and drypoint.

orz130116

Charles V spearing a bull in the ring at Valladolid, plate 10 of 'The Art of Bullfighting' - 1815/16 - 25,4x35,6 cm - etching, burnished aquatint, drypoint and burin.

orz130119

El Cid spearing another bull, plate 11 from La Tauromaquia - 1816 - 356 x 250 mm - etching.

orz130120

Mariano Ceballos, alias 'the Indian', kills the bull from his horse, plate 23 of 'The Art of Bullfighting' - 1815/16 - 25,4x35,6 cm - etching and aquatint.

orz130126

The very skilful 'student of Falces' wrapped in his cape, tricks the bull with the play of his body, plate 14 of 'The Art of Bullfighting' - 1815/16 (etching) - 25,1x35,8 cm - etching, aquatint and dr

orz018879

TAUROMAQUIA 8 - COGIDA DE UN MORO ESTANDO EN LA PLAZA - 1815-1816 - AGUAFUERTE, AGUATINTA BRUÑIDA Y PUNTA SECA - 249 x 356 mm.

orz130117

Another madness of his in the same ring, plate 19 of 'The Art of Bullfighting' - 1815-16 - 24,7x35,5 cm - etching, burnished aquatint, drypoint and burin.

orz089247

TAUROMAQUIA 17 - PALENQUE DE LOS MOROS HECHO CON BURROS PARA DEFENDERSE DEL TORO EMBOLADO- 1815-1816 - AGUAFUERTE, AGUATINTA, PUNTA SECA - 248x356 mm.

orz130123

The forceful Rendon stabs a bull with the pike, from which pass he died in the ring at Madrid, plate 28 of 'The Art of Bullfighting' - 1816 - 25,5x35,6 cm - etching, aquatint and burin.

orz130131

The daring of Martincho in the ring at Saragossa, plate 18 of 'The Art of Bullfighting' -1815/16 - 24,9x35,7 cm - etching, burnished aquatint and drypoint.

orz089245

TAUROMAQUIA 6 - LOS MOROS HACEN OTRO CAPEO EN LA PLAZA CON SU ALBORNOZ - 1815-1816 - AGUAFUERTE, AGUATINTA BRUÑIDA Y PUNTA SECA - 247 x 356 mm.

orz130115

TAUROMAQUIA 3 - LOS MOROS ESTABLECIDOS EN ESPAÑA ... - 1815-6 - AGUAFUERTE, AGUATINTA, PUNTA SECA Y BURIL - 249x357 mm.

orz130112

TAUROMAQUIA 29 - PEPE ILLO HACIENDO EL RECORTE AL TORO 1815 - AGUAFUERTE, AGUATINTA, PUNTA SECA Y BURIL - 248 x 356 mm.

orz130132

TAUROMAQUIA 31 - BANDERILLAS DE FUEGO - 1815-AGUAFUERTE, AGUATINTA BRUÑIDA, PUNTA SECA Y BURIL - 249 x 357 mm.

orz130134

TAUROMAQUIA 27 - EL CELEBRE FERNANDO DEL TORO, BARILARGUERO, OBLIGANDO A LA FIERA CON SU GARROCHA - 1815-1816 - AGUAFUERTE Y AGUATINTA - 356 x 248 mm.

orz130130

TAUROMAQUIA 25 - ECHAN PERROS AL TORO - 1815-1816 -AGUAFUERTE Y AGUATINTA Y PUNTA SECA - 357 x 250 mm.

orz130128

Riddle of fear, plate 2 of 'Proverbs' - 1815/23 - 24,5x35,7 cm - etching, burnished aquatint and drypoint.

orz089342

TAUROMAQUIA 24- EL MISMO CEBALLOS MONTANDO SOBRE OTRO TORO QUIEBRA REJONES 1815-1816- AGUAFUERTE Y AGUATINTA PUNTA SECA Y BURIL - 249 x 359 mm.

orz130127

TAUROMAQUIA 30 - PEDRO ROMERO MATANDO A TORO PARADO - 1815-1816 - AGUAFUERTE, AGUATINTA, PUNTA SECA Y BURIL - 25.1 x 35.9 cm.

orz130133

The valiant Moor Gazul is the first to spear bulls according to rules, plate 5 of 'The Art of Bullfighting' - 1815/16 - 25x35,8 cm - etching, aquatint and drypoint.

The valiant Moor Gazul is the first to spear bulls according to rules, plate 5 of 'The Art of Bullfighting' - 1815/16 - 25x35,8 cm - etching, aquatint and drypoint. Location: BIBLIOTECA NACIONAL-COLECCION, MADRID, SPAIN. Also known as: TAUROMAQUIA 5-EL ANIMOSO MORO GAZUL ES EL PRIMERO QUE LANCEO EN REGLA.

Unique Identifier orz130114

Type Image

Purpose Public

Size 550px × 392px

Photo Credit Album / Art Resource, NY

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BIBLIOTECA NACIONAL-COLECCION

ETCHED ENGRAVING

FRANCISCO DE GOYA

FRANCISCO JOSE DE G. Y LUCIENTES GOYA

GOYA, FRANCISCO DE

GOYA, FRANCISCO JOSE DE G. Y LUCIENTES

HISPANO CHARACTER

NATIONAL LIBRARY OF SPAIN-ENGRAVING

NINETEENTH CENTURY

SPANISH SOCIETY

THE VALIANT MOOR GAZUL IS THE FIRST TO SPEAR BULLS ACCORDING

Torero, Bullfight