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AR6STO7 
Conceptually similar
AR6180562 
AR6164626 
ART578212 
AR836849 
ART581379 
AR836850 
ART597160 
AR6183399 
ART585191 
ART581274 
ART574256 
ART574257 
ART587530 
ART567198 
ART578409 
ART592427 
ART589986 
ART577214 
ART577239 
ART575724 
Installation view of Edges of Ailey - Whitney Museum of American Art, NY.  Installation view of Edges of Ailey (Whitney Museum of American Art, New York, September 25, 2024-February 9, 2025). From left to right: Alma Thomas, Mars Dust, 1972; Charles White, Preacher, 1952; Lonnie Holley, Sharing the Struggle, 2018; Benny Andrews, The Way to the Promised Land, 1994; Sam Doyle, Frank Capers, 2023; Sam Doyle, LeBe, 1970s; Wadsworth Jarrell, Together We Will Win, 1973; Faith Ringgold, United States of Attica, 1971; Wadsworth Jarrell, Revolutionary (Angela Davis), 1972; James Van Der Zee, Marcus Garvey Rally, 1924; Jeff Donaldson, Soweto/So We Too, 1979; Horace Pippin, School Studies, 1944; Horace Pippin, Cabin in the Cotton, c. 1931–37; Horace Pippin, Knowledge of God, 1944; William H. Johnson, At Home in the Evening, c. 1940; John Biggers, Sharecropper, 1945; Robert Duncanson, View of Cincinnati, Ohio from Covington, Kentucky, c. 1851; Joe Overstreet, Purple Flight, 1971; Emma Amos, Judith Jamison as Josephine Baker, 1985; Kerry James Marshall, Souvenir IV, 1998; Lynette Yiadom-Boakye, A Knave Made Manifest, 2024; Lynette Yiadom-Boakye, Fly Trap, 2024; Missa Marmalstein and other makers unknown, Block 1871 of the AIDS Memorial Quilt, 1987.  Photo: Ron Amstutz. 
Location Whitney Museum of American Art/New York, NY/USA
Unique Identifier AR6198561 
Type Image 
Purpose Public 
Size 3543px × 2657px 
Photo Credit Digital image © Whitney Museum of American Art / Licensed by Scala / Art Resource, NY 
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Tags
21st century CE
Exhibition
Installation Art