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Conceptually similar
Miss Munro. Three-quarter length seated portrait of Justine Monro (later Gallie), looking down and slightly to the right, her left hand raised to her cheek.
AR9112054 
Three-quarter length seated portrait of the sculptor Alexander Handyside Ritchie (1804-1870), looking off to the right.
AR9112025 
Mrs. Jamieson. Three-quarter length standing portrait, in half-profile, looking intently off to the left, of the art historian Anna Brownell Jameson (1794-1860).
AR9112049 
Mrs. Rigby. Full-length seated portrait, looking off to the left, of Elizabeth Rigby (1809-1893), later Lady Eastlake.
AR9112048 
Lady Eastlake. Three-quarter length seated portrait of Elizabeth Rigby (1809-1893), later Lady Eastlake, her head resting on her left hand and looking downwards.
AR9112041 
Finlay of Colonsay. Three-quarter length seated portrait of the deerstalker Finlay, looking off to the left. The sitter wears a tartan tunic and holds a deerstalking telescope in his lap.
AR9112052 
Revd. Dr. John Brown. Three-quarter length seated portrait of the Rev. Dr. John Brown (1784-1858), seated at a table, looking off to the right, with a book held in his right hand.
AR9112040 
My sister Mary, Mrs. Watson. Half-length portrait, looking to the left and holding a book in her right hand, of David Octavius Hill's sister, Mary Watson.
AR9112045 
Mrs. Rigby. Full-length standing portrait, taken out of doors and looking directly towards the camera, of Elizabeth Rigby (1809-1893), later Lady Eastlake.
AR9112050 
Half-length seated portrait, in right profile, of the sculptor John Henning (1771-1851)
AR9112028 
The Lady Ruthven. Full-length standing portrait of Lady Mary Hamilton Ruthven (1789-1855), with back turned to camera.
AR9112093 
John Stevens R.S.A. Three-quarter length portrait of the painter John Stevens (c. 1793-1868), standing beside a bust mounted on a plinth.
AR9112092 
A sleeping child. Daughter of A. S. Logan Esq. Full-length portrait of the sleeping Elizabeth Logan, lying facing the camera, a doll held in her right arm.
AR9112067 
Asleep among the grass. Master Hope Finlay. Full-length study of the sleeping child John Hope Finlay (1839-1907).
AR9112068 
Julieta, a study (Elizabeth Rigby, later Lady Elizabeth Eastlake). Full-length seated portrait, the sitter either sleeping or gazing downwards, wearing a large cross hanging from a necklace.
AR9112081 
Byrne ??? The Irish Harper. Full-length portrait, in right profile, of the blind Irish harpist Patrick Byrne, seated playing the harp.
AR9112064 
Master James Miller. Full-length portrait of James (Jimmy) Miller, standing in Scottish dress and looking directly towards the camera, a helmet on the chair behind him.
AR9112077 
David Octavius Hill. Head-and-shoulders left profile portrait of David Octavius Hill (1802-1870)
AR9112161 
Revd. Dr. Duncan of Ruthwell, founder of Savings Banks. Full-length portrait of the Rev. Dr. Henry Duncan (1774-1846), seated out of doors and looking directly towards the camera.
AR9112036 
Dr. Lane in an Indian dress. Full-length standing portrait of Dr Edward William or John Lane, in Indian dress and holding a jezail.
AR9112073 
Miss Munro and Misses Graham Binney. Three-quarter length portrait study of the three young ladies, their arms clasped round each other and looking off to the right. 
Miss Munro and Misses Graham Binney. Three-quarter length portrait study of the three young ladies, their arms clasped round each other and looking off to the right, From a volume of calotype images and portraits. Early photographic technique also called Talbotype. Dating from 1849. David Octavius Hill and Robert Adamson. 
Unique Identifier AR9112046 
Type Image 
Purpose Public 
Size 4286px × 5776px 
Photo Credit © British Library Board / Robana / Art Resource, NY 
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Tags
19th century
albion
Britain
British Isles
calotype
Composition
EUROPE
Female
Great Britain
People
PHOTO
Photograph
photographic image
photographic technique
Photographs
Portrait
PORTRAITURE
Scotland
SERIES
style and period
talbotype
VICTORIAN ERA
visual works
Western Europe