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Mrs. Rigby. Full-length standing portrait, taken out of doors and looking directly towards the camera, of Elizabeth Rigby (1809-1893), later Lady Eastlake.
AR9112050 
Revd. Dr. Duncan of Ruthwell, founder of Savings Banks. Full-length portrait of the Rev. Dr. Henry Duncan (1774-1846), seated out of doors and looking directly towards the camera.
AR9112036 
The Lady Ruthven. Full-length standing portrait of Lady Mary Hamilton Ruthven (1789-1855), with back turned to camera.
AR9112093 
Dr. Lane in an Indian dress. Full-length standing portrait of Dr Edward William or John Lane, in Indian dress and holding a jezail.
AR9112073 
Mrs. Rigby. Full-length seated portrait, looking off to the left, of Elizabeth Rigby (1809-1893), later Lady Eastlake.
AR9112048 
Asleep among the grass. Master Hope Finlay. Full-length study of the sleeping child John Hope Finlay (1839-1907).
AR9112068 
Byrne ??? The Irish Harper. Full-length portrait, in right profile, of the blind Irish harpist Patrick Byrne, seated playing the harp.
AR9112064 
A sleeping child. Daughter of A. S. Logan Esq. Full-length portrait of the sleeping Elizabeth Logan, lying facing the camera, a doll held in her right arm.
AR9112067 
James Aytoun. Half-length seated portrait in left profile, seated at a table holding a quill pen.
AR9112033 
Half-length seated portrait, in right profile, of the sculptor John Henning (1771-1851)
AR9112028 
Mr. George Kemp, Architect of the Scott Monument, Edinburgh. Full-length standing portrait of George Meikle Kemp (1795-1844), leaning against a partially carved masonry block.
AR9112088 
Three-quarter length seated portrait of the sculptor Alexander Handyside Ritchie (1804-1870), looking off to the right.
AR9112025 
Full-length standing portrait, striking a declamatory pose, of the artist Thomas Duncan (1807-1845), a stick held in his right hand, his left hand held against his waistcoat.
AR9112026 
My sister Mary, Mrs. Watson. Half-length portrait, looking to the left and holding a book in her right hand, of David Octavius Hill's sister, Mary Watson.
AR9112045 
John Stevens R.S.A. Three-quarter length portrait of the painter John Stevens (c. 1793-1868), standing beside a bust mounted on a plinth.
AR9112092 
Finlay of Colonsay. Three-quarter length seated portrait of the deerstalker Finlay, looking off to the left. The sitter wears a tartan tunic and holds a deerstalking telescope in his lap.
AR9112052 
Mrs. Jamieson. Three-quarter length standing portrait, in half-profile, looking intently off to the left, of the art historian Anna Brownell Jameson (1794-1860).
AR9112049 
Julieta, a study (Elizabeth Rigby, later Lady Elizabeth Eastlake). Full-length seated portrait, the sitter either sleeping or gazing downwards, wearing a large cross hanging from a necklace.
AR9112081 
Rev. Jabes [sic, for Jabez] Bunting, D.D. Half-length seated portrait of the Rev. Dr. Jabez Bunting (1779-1858)
AR9112160 
David Octavius Hill. Head-and-shoulders left profile portrait of David Octavius Hill (1802-1870)
AR9112161 
Master James Miller. Full-length portrait of James (Jimmy) Miller, standing in Scottish dress and looking directly towards the camera, a helmet on the chair behind him. 
Master James Miller. Full-length portrait of James (Jimmy) Miller, standing in Scottish dress and looking directly towards the camera, a helmet on the chair behind him, From a volume of calotype images and portraits. Early photographic technique also called Talbotype. Dating from 1849. David Octavius Hill and Robert Adamson. 
Unique Identifier AR9112077 
Type Image 
Purpose Public 
Size 4350px × 6000px 
Photo Credit © British Library Board / Robana / Art Resource, NY 
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Tags
19th century
albion
Britain
British Isles
calotype
Composition
EUROPE
Great Britain
Male
one person
People
PHOTO
Photograph
photographic image
photographic technique
Photographs
Portrait
PORTRAITURE
Scotland
SERIES
style and period
talbotype
VICTORIAN ERA
visual works
Western Europe