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Conceptually similar
'Parasols for 1795'.
AR950156 
'A Spencer and a Threadpaper', 1792.
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'1784, or the Fashions of the Day', 1784.Artist: Thomas Rowlandson
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'The Bird of Paradise', 1772.
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'And catch the living manners as they rise', 1794.
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AR950464 
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AR950466 
'A Meeting of Umbrellas' 1782. Artist: J Kent
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'The Macaroni Print Shop', 1772.
AR950400 
'A Lady putting on her cap', June 1795.
AR950142 
'Pantheon Macaroni', 1782.
AR950060 
'Modern Elegance: A Portrait', 1796.
AR950124 
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AR950067 
'The Ton at Greenwich: A la festoon dans le park a Greenwich' 1777.
AR950088 
'The bruising match', 1730.
AR950440 
'People of consequence', 1794.Artist: John O'Keeffe
AR950168 
'The Royal Academy', 1786.
AR950504 
'Characters in High Life...', 1795.
AR950134 
'St James' Park', 1783.Artist: Henry William Bunbury
AR950104 
'The Mistaken Notion', 1789.  Artist: W Dickinson
AR950482 
'Waggoners Frocks or No Bodys of 1795', 1795. 
'Waggoners Frocks or No Bodys of 1795', 1795. Illustration from Social Caricature in the Eighteenth Century ... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905). 
Unique Identifier AR950132 
Type Image 
Purpose Public 
Size 3758px × 4646px 
Photo Credit HIP / Art Resource, NY 
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Tags
18th century
B&W
B/W
Black & White
Black and white
Britain
British
clothes
Dress
eighteenth century
Emily Morse
Emily Morse Symonds
exaggerated
Fashion
fat
FROCK
GEORGE
George Paston
Hair
Hairstyle
Hat
Headdress
JOB
Male
Man
Men
Monochrome
OCCUPATION
Paston
People
Print Collector6
PROFESSION
Symonds
The Print Collector
THIN
waggoner