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Conceptually similar
'A Goldfinch and his Mistress', 1796.Artist: Isaac Cruikshank
AR950765 
'Fore-warned, Fore-armed', 1741. Artist: E Gravelot
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'Reconciliation or the Return from Scotland', late 18th century.
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'The Magician or Bottle Cungerer. English Credulity: or, Ye're all Bottled', 1749.
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'Characters and Caricaturas', 1743. Artist: William Hogarth
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'The bruising match', 1730.
AR950440 
'The Royal Academy', 1786.
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'A Meeting of Umbrellas' 1782. Artist: J Kent
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'The Kitchen Metamorphosed', 1762.
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'The Mistaken Notion', 1789.  Artist: W Dickinson
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'Masquerades and operas', 1724.Artist: William Hogarth
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'The Bird of Paradise', 1772.
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'The Reviewer's Cave', 1765.Artist: Mortimer
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'Parasols for 1795'.
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'Frederick Prince of Wales and the Princess Augusta of Saxe-Gotha', 1736.
AR950584 
'The New Gig', 1781.Artist: Colley
AR950464 
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AR950428 
'St James' Park', 1783.Artist: Henry William Bunbury
AR950104 
'An Apology to the Town', 1749.
AR950552 
'Coming in at the Death', 1800.
AR950526 
'The Marriage of Cupid and Psyche', 1797. 
'The Marriage of Cupid and Psyche', 1797. Illustration from Social Caricature in the Eighteenth Century ... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905). 
Unique Identifier AR950332 
Type Image 
Purpose Public 
Size 4594px × 3804px 
Photo Credit HIP / Art Resource, NY 
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Tags
18th century
allegorical figure
B&W
B/W
Black & White
Black and white
Cherub
concept
CUPID
eighteenth century
Emily Morse
Emily Morse Symonds
GEORGE
George Paston
GREEK MYTHOLOGY
love
Monochrome
mythical figure
MYTHOLOGY
Paston
Print Collector6
Psyche
Putto
Symonds
The Print Collector
Wedding Scenes