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ARTE RENACIMIENTO. ITALIA. BENVENUTO CELLINI (1500-1571). Escultor y orfebre italiano. "PERSEO CON LA CABEZA DE LA MEDUSA" (1554). Loggia dei Lanzi. Florencia.

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Roman Art. Greece. 2nd century. Marble sculpture depicting a bull with a votive inscription of Regilla, wife of Herodes Atticus, offered to Zeus. Dated between 147-150 A.D. Located in the exedra of He

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Greek Art. Hellenistic prince represented in heroic nudity. Derives from the statue by Lysippus of Alexander the Great. Is generally considered as the representation of an early portrait of Attalus II

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Pentelic Attic marble sarcophagus. Meleager with the Calydonian boar. Found in Ayios Ioannis (Patras) and dated between AD 150-170. National Archaeological Museum. Athens.

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Treasury of Siphnos (525 B.C.). Detail from the north frieze that depicts the battle between gods and giants. Delphi Archaeological Museum. Greece.

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Greek Art. Emporium (Ampurias). Greek colony founded by the greeks of Foci, 570 BC. Statue of Asclepius. God of medicin. Neapolis. Girona province. Catalonia. Spain. Europe.

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Greek Art. Hellenistic. Boxer of Quirinal or the Terme Boxer. Bronze sculpture of the Hellenistic period (1st century B.C.). Boxer sitting at rest, with metal and leather dressings used for combat. Pa

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Roman Art. The Theatre of Dionysus. Built at he foot of the Acropolis.( V B.C.). Part of the sculptures from the roman proscenium in the theater. The figure of the comic styr, sellenos, is in the midd

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GREEK ART. REPUBLIC OF ALBANIA. Statue of Dionysus, god of wine. Found during the excavations of Ninfeo of Butrint in 1929. S. II a.C. Ruins of Butrint Museum.

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Treasure of the Athenians. 510-500 BC. Metope depicting Theseus fighting the amazon Antiope. Delphi Museum. Greece.

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Roman Art. Roman Agora. Remains of the gate into the Roman Forum. Athens. Central Greece. Attica. Europe.

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Decoration of the Temple of Zeus in the Sanctuary of Olympia. 5th century B.C. Parian marble sculptures that decorated the west pediment of the temple and represent the struggle of the Lapita and cent

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Roman Art. Roman Agora. Remains of the gate into the Roman Forum. Athens. Central Greece. Attica. Europe.

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Greek Art. Hellenistic prince represented in heroic nudity. Derives from the statue by Lysippus of Alexander the Great. Is generally considered as the representation of an early portrait of Attalus II

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Epicurus (c. 341-270 b.C.). Greek philosopher. Bust. Pentelic marble. Roman copy of the 1st century from an original of 3rd century B.C. Palazzo Massimo. National Roman Museum. Rome. Italy.

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Antonio Munoz Degrain (1843-1808). Spanish painter. The Colossus of Rhodes. Royal Academy of Fine Arts of San Fernando. Madrid. Spain.

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Greek Art. Greece. A Polykleitan Diadumenos, in a Roman marble copy. Found in the house of Diadumenos in Delos. Dated around 100 BCE. Copy of the statue of Diadumenos carved by Polykleitos between 45

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ARTE GRIEGO. PERIODO ARCAICO. GRECIA. TESORO DE SIFNIOS (SIPHNOS). Obra del 525 aC, de estilo jónico. Detalle de un RELIEVE del lado este, con la representación de una ASAMBLEA DE LOS DIOSES CON VENUS

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Roman Art. Roman Agora. Remains of the gate into the Roman Forum. Athens. Central Greece. Attica. Europe.

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Art Greek. Hellenistic. Statue of Lacoon and his sons (Antiphates and Thymbraeus). The sculpture is attributed by three sculptors from the island of Rhodes. Agesander, Athenedores and Polydorus. 2th

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Emporium. 575 B.C. Channeling. Catalonia. Spain.

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Greek Art. Hellenistic. Boxer of Quirinal or the Terme Boxer. Bronze sculpture of the Hellenistic period (1st century B.C.). Boxer sitting at rest, with metal and leather dressings used for combat. Pa

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Apollo. (Greek Mythology). Is the god of music, archery and healing. Statue of Apollo at the Athens Academy. Athens. Central Greece. Attica. Europe.

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Greeg Art. Greece. Statue of Aphrodite carved in Parian marble. Found in Baiai (Italy). He belonged to the collection of Lord Hope and was donated to the National Museum of M. Embeirikos in 1924. The

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Greek Art. Hellenistic prince represented in heroic nudity. Derives from the statue by Lysippus of Alexander the Great. Is generally considered as the representation of an early portrait of Attalus II

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