"CICLOPE POLIFEMO JUNTO A GALATEA". Galatea, una de las nereidas, fue amada por Polifemo, héroe arcadio hijo de Poseidón y uno de los Argonautas. Galatea lo rechazó para ofrecerse al Pastor Acis, que
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Greeg Art. Greece. Statue of Aphrodite carved in Parian marble. Found in Baiai (Italy). He belonged to the collection of Lord Hope and was donated to the National Museum of M. Embeirikos in 1924. The
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Publius Vergilius Maro (70 BC-19 AC). Latin poet. Aeneid. Engraving. 1729.
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ARTE ROMANO. ITALIA. Escultura que representa a HERCULES (el HERACLES griego) con mazo y con la piel del león de Nemea, que el héroe mató y desolló. Pieza realizada en bronce dorado, procedente de la
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Greek Art. 4th century B.C. Marble head of Aphrodite influenced by the style of the sculptor Praxiteles. Archaeological Museum of Olympia. Greece.
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ARTE ROMANO. ITALIA. ARA PACIS AUGUSTAE. Altar levantado por Augusto para conmemorar el final de las luchas, dedicado a la diosa de la paz. Detalle escultórico con la representación de TELLUS, alegorí
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ARTE RENACIMIENTO. ITALIA. PALACIO LA FARNESINA (1511). Mansión renacentista. Detalle de un FRESCO con la representación del CICLOPE POLIFEMO, obra de Peruzzi. Roma.
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Heracles. Hero in a Greek mythology. Heracles slaying the Lernaean Hydra. Second Labour. Relief. National Museum of Roman Art. Merida. Spain..
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Greek Art. Greece. Statue of a satyr in a movement position. Pentelic marble. In his left arms hangs a panther skin. Possibily was an acroterion at temple of Dionysus. Found in Lamia and dated in the
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Relief depicting god Amun with great helmet covered with two large feathers and beard sitting on the throne. First court of Ramses II. New Empire. Temple of Luxor. Egypt.
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Polychrome limestone reliefs depicting offerings to the gods. Papyrus flowers (a symbol of Lower Egypt). Temple of Hatshepsut. Eighteenth Dynasty. New Kingdom. Egypt.
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Temple of Ramses III. Relief depicting Ramses III capturing his enemies before Amun. Detail of the pharaoh. First pylon of the temple. New Kingdom. (1550-1069 b.C). Twentieth dynasty. Thebes. Medinet-
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Basin with reliefs depicting a procession (Thiasos) with Tritons and Nereids with weapons forged by Hephaestus for Achilles. Pentelic marble. Found in the Hospital of the Holy Spirit (Rome). 120 BC. N
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ARTE ROMANO. ITALIA. Detalle de una FUENTE decorada con dos amorcillos o cupidos. Via Modesto. POMPEYA. La Campania.
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Amphorisc decorated with black figures representing Sphinx. Chalkidiki style. Attributed to the workshop of the painter Phineus. Dated between 540-530 b.C. Museum of Cycladic and Ancient Greek Art. At
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Greek Art. 5th century B.C. Apollo. Decoration of the Temple of Zeus in the Sanctuary of Olympia. Parian marble. West pediment. 460 B.C. Archaeological Museum of Olympia. Greece.
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ARTE ETRUSCO. ITALIA. Monumento funerario con la representación de ADONIS agonizante. El joven dios, herido en su muslo izquierdo, recostado. A sus pies, un perro lamiéndose. Pieza procedente de la an
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Egyptian Art. Karnak Temple. Avenue of sphinxes with ram's head (symbol of the god Amon). Built during the reign of Ramses II. 19th Dynasty. New Kingdom. Around Luxor. Egypt.
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Relief depicting the god Ra. Ramesseum. 13th century. Nineteen dynasty. New Kingdom. Necropolis of Thebes. Valley of the kings. Egypt.
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ARTE S. XVIII. ITALIA. CANOVA, Antonio (Possagno, 1757-Venecia, 1822). Escultor italiano. PERSEO. Obra del año 1801. Canova es considerado el artista más representativo del neoclasicismo escultórico.
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Maximilian Lenz (1860-1948). Austrian painter. "One World" (1899). Museum of Fine Arts. Budapest. Hungary.
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ARTE BARROCO. HOLANDA. HOLTSEIJN, Cornelis Pieter (Haarlem, 1618Amsterdam, 1658). Pintor holandés. "VENUS Y CUPIDO LLORANDO LA MUERTE DE ADONIS". Oleo sobre lienzo. Frans Hals Museum. Haarlem.
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GREEK ART. GREECE. HYDRIA by LYSIPPIDES depicting the Hercules departure towards Olympus with Athena as auriga and Hermes as a guide. Black figures. Dated to 525 b.C. Museum of Cycladic and Ancient Gr
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Egyptian hieroglyph depicting the Ankh. Temple of Horus in Edu. Egypt.
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